FWF Chapter 292 The Future Plan of Young Filmmakers
Chapter 292 The Future Plan of Young Filmmakers
Chapter 292 The Future Plan of Young Filmmakers
"Lost Orphan" lasted for two months, and moved to Fujian, Jiangxi, Hubei, Sichuan and Chongqing, and Shancheng, five cities, and finally ushered in the finale.
In road films, there are many natural exteriors and few interiors, and most of the time is spent on transportation.
Dongxi Ancient Town, at the Dongxi Exit of Qijiang County on the Yuqian Expressway, is an hour's drive from the main city.
This unpopular thousand-year-old town retains the original buildings, and most importantly, there is a modern bridge made of reinforced concrete.
At one end of the bridge, the props team has already hung a banner, "Mao Xuesong welcomes you home."
More than 100 ensemble performers, crowded with people, Ji Xiaolan and Jiang Niangniang stood at the front.
Ye Qin and the others stood on the other side of the bridge, Liu Shishi sat in the driver's seat of the van, biting a lollipop, poking his head out.
I saw him in a white shirt, walking slowly, and the cameraman behind him followed the camera all the way.
How does it feel to find roots for a black household with no background?
Too excited to be yourself?
Weeping with joy until there are no tears?
Ye Qin seemed to be attracted by a kind of blood, and his expression was neither sad nor happy.
This place is strange to him, this group of people is strange to him, and this mountain city dialect is also strange to him.
Ji Xiaolan choked with sobs, and said intermittently: "Mom dreams about you every day. When you dream that you are hungry, we think you are dead."
Ye Qin looked at Ji Xiaolan, who was old and dressed, and then at Mrs. Jiang, who was full of gray hair, and was at a loss.
For children, adoptive mothers are naturally more mature than biological mothers.
In the Northern Wei Dynasty of the Southern and Northern Dynasties, for example, there was an ancestral system of bestowing the birth mother of the prince to death, but without the birth mother, the prince naturally had a close relationship with the nanny, and even became a queen mother.
Born and raised, fortunately, the script deliberately deleted the adoptive parents to avoid creating conflicts.
Otherwise, this article alone will not involve the topic of "whether adoptive parents are guilty of the same crime".
"baby!"
Empress Jiang burst into tears and hugged Ye Qin.Immediately afterwards, under the rehearsal schedule, the group performers rushed forward in an orderly manner, converging into a river and pouring in.
The camera on the rocker arm turret was shooting this scene from above. Ye Qin was trapped in the crowd, rolling his tear-stained eyes.
Then, he turned his head abruptly, waved at Liu Tianwang who was standing quietly in the distance, and temporarily adjusted his lines:
"Old Lei, my name is not Zeng Shuai, but Mao Xuesong!"
Once the words came out, they were very contagious.
Peng Sanyuan was sitting in front of the two monitors, Ye Qin was in excellent condition, and Liu Tianwang was also very understanding.
Red eyes, smiling, hunched back, someone else's child is found, when will his child be found?
One side is the realization of hope, and the other side is the realization of expectation.
The two movie kings are about 5 meters apart, playing with each other.
Even Liu Shishi showed the level of eating skill packs in "Xiu Chun Knife", eating a lollipop, sweetly, smiling brightly, and crying the most beautiful tears.
"Crack, it's done."
The scene won Peng Sanyuan's heart. She could feel that she was underestimated and excluded in the crew, but it didn't matter, as long as the movie was made.
Full of grievances and dissatisfaction, they all vented out in one voice: "I declare that "Lost Orphan" is finished!"
"Clap clap clap..."
Although Peng Sanyuan does not have the authority of a director, at least he must be respected, and the staff applauded.
"It's done, it's done~"
"Salary..."
The group performers shouted excitedly, Ye Qin said politely: "Uncle Ji, Aunt Jiang, thank you for your cameo."
"Hey, why are you being polite, you can ask me to act in such a well-intentioned public welfare film, you must participate."
Ji Xiaolan unbuttoned her clothes and took off her dark blue coat: "Isn't Xiangjiang also has Liang Jiahui and Wu Junru, our mainland actors are even more obliged."
"The most important thing is to be your father once and have a good time."
Ye Qin glanced at it. Ji Xiaolan's words were sad. Ji Mo was punished by Aunt Chaoyang last year.
emm, I heard that Ji Xiaolan beat her up hard, but I don't know if it was the name of the room group that was beaten.
In sight, Ji Xiaolan hesitated to speak, probably wanted to ask for a film appointment, but couldn't speak.
Jiang Niangniang saw it, and interrupted with a spell: "Qin Zi, when are you going to talk about Sichun, this girl has not been very worrying to his mother and me recently."
Ye Qin asked: "I'm going to Yanjing for an interview tomorrow, and I can go to a class by the way, what's the matter?"
"I still like playing Li Yang's 'Li Xian'!"
.....................
Going around in circles, cities, villages, suburbs, mountains, all the way full of wind and dust, before the finale banquet, the production director of life specially arranged to complete the bathhouse.
clap clap ~
Naturally, it's not in Qiao Shan's favorite foot-washing city, but in the bathing center, where serious bath masters massage their backs.
Ye Qin was lying on the bamboo bed with a towel covering his back, enjoying the force of beating.
"Qin Zi, later, you and I will have a toast with Director Peng."
Liu Tianwang said earnestly: "Although Director Peng has a lot of personal problems, he is a new director after all. It's normal for him not to know the rules. However, you must not do this in the future if you make directors superficial. You will easily be rejected by the directors..."
"Brother Hua, the main thing is that she is too self-centered. She only studied in Nortel for a period of time. She may have a good aesthetic, but her ability and skills cannot support her ambition."
Ye Qin curled his lips, and said in a mouthful of dissatisfaction: "The steps are too big, click, it's easy to tear the egg!"
"Don't force others to make things difficult. Director Miaozi is not easy to find."
Liu Tianwang waved his hand: "A good director is one in a hundred. Ning Hao is not the only one in the Asian Rising Star Director Project that I have invested in these years!"
The director of Asia's new stars is paid by Liu Tianwang himself, 2500 million Hong Kong dollars per issue, provided to 6 directors, does not interfere with film creation, and does not care about losses.
Back then, Ning Hao was not only attracting investment, but also seeking Liu Tianwang's name, a Liu Tianwang's name, and the movie theater lineup, wouldn't he sell some face?
For a new director, how many shows can the theater offer?
"Brother Hua, tell me how to operate it."
Ye Qin became interested in the plan of cultivating directors. He has always had this idea in his mind. How to implement it, he really can't come up with a charter.
This year, Guo Xiaosi and "Little Times" will cause a mudslide in the industry. The director's threshold will be lowered in an instant, and cats and dogs will join in.
For example, Zhang Mou, who co-produced "Journey to the West", had no shadow before his rebirth.
"The dominance, the dominance must be in hand!"
Liu Tianwang shared his experience, sighing as he spoke: "I am the investor in the new star director project, but the project leader is not in my hands. I will try my best to prevent the third phase, and I should stop it, otherwise I can dig a few more seedlings."
"The other thing is to hold exhibitions and festivals for filmmakers, to provide platforms for young filmmakers, exhibitions, investment, distribution, etc. It is best to be able to integrate them so that young filmmakers can focus more on content production."
"I plan to put it in the First Film Festival."
Ye Qin smiled and said, isn't the Anti-University in the Northwest Circle prepared for this!
"First?" Liu Tianwang looked confused.
Ye Qin explained, and said sincerely: "Brother Hua, are you interested in going there this year, to be the 'No. 1 person', as a senior, to encourage and affirm the younger generations."
"You don't participate in the Academy Awards, but let me participate in your first?"
Liu Tianwang didn't know whether to laugh or cry, but readily agreed, and asked casually: "Ye Zi, your Ye Guangji has supported many people so far, right?"
Ye Qin counted with his fingers: "Su Lun, Xu Haofeng, Xue Xiaolu, Lu Yang, Guo Fan, Xu Shanzheng, Diao Yinan, Wu Jing..."
"And Wu Jing?" Liu Tianwang became more shocked as he heard it, his eyes widened.
"Brother Jing makes military action movies to fill the gap in the country, so he must help out."
Ye Qin didn't take it seriously: "It's better than nothing, at least it's an attempt."
Liu Tianwang sat up abruptly and gave a thumbs up: "Ye Zai, that's amazing!"
"I have been working for so many years, and I may not be as good as you. Your contribution to mainland films may not be measured by the box office and awards reported by the outside world."
"That's not enough people, Brother Hua, I went to Hollywood to realize how big the gap between the two sides is. The number of directors and screenwriters alone cannot be compared."
Ye Qinzhen said eloquently: "But it's okay, let's catch up first, and then catch up. I plan to launch a similar plan after a while, bringing the old with the new."
In the previous life, many young directors were often short-lived.
Like Bi Chang, "Wild Flowers by the Roadside", and then "The Last Night on Earth", they are unable to do what they want.
New directors need advice to avoid detours, "Bad Monkey 72 Transformation Project" was launched in 16.
After 16 years, Chinese-language films gradually got rid of the era of bad movies, and a group of new directors who understand business began to rise.
"I'm Not the God of Medicine", Ning Hao and Xu Shan competed to assist Wen Muye.
"Cohabitation Beyond Time and Space", Su Lun has Xu Shanzheng as the producer.
In this life, in the debut show "Waiting for the Wind", Ye Qin deliberately asked Zhang Yibai to help him.
"If you need it, you can come to me."
Liu Tianwang lay down again, and the scrub master continued to beat: "Of course, in your plan, don't forget Xiangjiang, Wanwan, and Lisboa."
"It's all part of China, especially Wanwan."
Ye Qin changed the subject: "Well, Wan Huhou, Centurion, Brother Hua, which name do you think sounds nice?"
I will change the previous one, mainly around the training plan for young directors. I wanted to use Peng Sanyuan as an introduction, but I didn't write it well.
Also, a book friend asked who are the directors Ye Guangji is associated with, and most of the above-mentioned film directors are.
(End of this chapter)