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	<title>Comments on: POV shifts and errors</title>
	<link>http://www.fictionwithfriction.com/2007/09/07/pov-shifts-and-errors/</link>
	<description>The Hottest Gay Romance Authors Are Here...</description>
	<pubDate>Fri, 21 Nov 2008 07:14:13 +0000</pubDate>
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		<title>By: JL Langley</title>
		<link>http://www.fictionwithfriction.com/2007/09/07/pov-shifts-and-errors/#comment-341</link>
		<dc:creator>JL Langley</dc:creator>
		<pubDate>Sat, 08 Sep 2007 15:34:11 +0000</pubDate>
		<guid>http://www.fictionwithfriction.com/2007/09/07/pov-shifts-and-errors/#comment-341</guid>
		<description>oooh  yeah, good one, Alex.  I just read a book  where this New Yorker was using they same sayings the Texan was.  I was like O_O  huh?</description>
		<content:encoded><![CDATA[<p>oooh  yeah, good one, Alex.  I just read a book  where this New Yorker was using they same sayings the Texan was.  I was like O_O  huh?</p>
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		<title>By: Kimber</title>
		<link>http://www.fictionwithfriction.com/2007/09/07/pov-shifts-and-errors/#comment-339</link>
		<dc:creator>Kimber</dc:creator>
		<pubDate>Sat, 08 Sep 2007 12:27:38 +0000</pubDate>
		<guid>http://www.fictionwithfriction.com/2007/09/07/pov-shifts-and-errors/#comment-339</guid>
		<description>Alex, That is so true though I don't think I've ever really thought of it in quite that way. 

When I write and the writing is going well, I can *hear* my characters' voices in my head and each one sounds unique from all the others just the way real people all sound different from one another. Then when I write the dialogue, and even the internal thoughts, I try to reflect that unique voice in the written words.

The best example I can think of right now is the use of the word *boyfriend*. In my current WIP I have one character who uses that word freely to describe his relationship with his lover. The lover, however, is a different matter. He prefers the word *lover* or *partner* though he thinks of the relationship in the same way.

Great ovservation.</description>
		<content:encoded><![CDATA[<p>Alex, That is so true though I don&#8217;t think I&#8217;ve ever really thought of it in quite that way. </p>
<p>When I write and the writing is going well, I can *hear* my characters&#8217; voices in my head and each one sounds unique from all the others just the way real people all sound different from one another. Then when I write the dialogue, and even the internal thoughts, I try to reflect that unique voice in the written words.</p>
<p>The best example I can think of right now is the use of the word *boyfriend*. In my current WIP I have one character who uses that word freely to describe his relationship with his lover. The lover, however, is a different matter. He prefers the word *lover* or *partner* though he thinks of the relationship in the same way.</p>
<p>Great ovservation.</p>
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		<title>By: Alex</title>
		<link>http://www.fictionwithfriction.com/2007/09/07/pov-shifts-and-errors/#comment-336</link>
		<dc:creator>Alex</dc:creator>
		<pubDate>Sat, 08 Sep 2007 01:20:16 +0000</pubDate>
		<guid>http://www.fictionwithfriction.com/2007/09/07/pov-shifts-and-errors/#comment-336</guid>
		<description>What really chaps me is when ,no matter whose pov your in, the characters think the same thing.  It could be a word or a phrase, but when it is identical to the way the other person thought of it, it drives me crazy.  People just dont think that way.</description>
		<content:encoded><![CDATA[<p>What really chaps me is when ,no matter whose pov your in, the characters think the same thing.  It could be a word or a phrase, but when it is identical to the way the other person thought of it, it drives me crazy.  People just dont think that way.</p>
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